The vase and small sculptured wizard (both pictured in the slideshow) were hand built using Feeneys white raku clay. My first exposure to Raku-firing occurred during pottery classes at the Potters workshop at East Gosford (on the Central Coast of New South Wales), where these pots were made.
The vase was created using slabs of rolled out clay, which were joined, patterned and decorated. The top of the vase was made on a pottery wheel, then shaped to fit the rectangular vase and attached to form the neck. The handles were made from extruded, shaped lengths of clay.
As my first attempt, I was very relieved when this vase survived the extreme Raku-firing.
Showing the variety of colours which Raku-firing can produce – when reduction occurs – the wizard-like figure was assembled using rolled slabs of clay. The slabs used to form the coat were rolled in ball clay to cause the crackled pattern (which are visible on the sleeve). Two pinch pots were made and joined together to assemble the head, extruded clay was used for the beard.